Amplifier
The Octopus

When it’s good, it’s so good that it beats anything that any other band can muster, this year or any other. Tracks like ‘Planet Of Insects’, ‘Interstellar’ and ‘The Wave’ are as good as – if not better than – anything on Amplifier’s 2004 debut (which remains my favourite album of all time). There are also new joys, where the band have tried something a bit different: take the operatic, piano-led ‘Minion’s Song’ or the acoustic ‘Oscar Night’. 75% of The Octopus is astoundingly good. The problem is simply one of quality control – with no record company oversight, the final product is a 16 track 2+ hour long behemoth, and ultimately too much of it is waffle (comparatively at least). Amplifier’s waffle is better than most bands’ best ever pancake, of course, but it still feels like an opportunity slightly missed: if this were more streamlined it may even have challenged their debut as my favourite album ever. As it is, it ultimately didn’t even manage top spot in 2011 (ie, it didn’t even win its own category...). Nonetheless, further proof, if proof were needed, that Amplifier are the best band around right now, bar none. Magnificent.
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